Programming-in-Progress is a series of free public programs in conjunction with the exhibition,“Cosmic Shelter: Hélio Oiticica and Neville D’Almeida’s Private Cosmococas.”
See below for event programming. Click HERE to download a Programming-in-Progress flier.
PAST EVENTS:
SATURDAY, MARCH 23
Exhibition Tour with curator Daniela Mayer at 1:00-2:00PM
Curator Talk with Daniela Mayer at 2:30-3:30PM
Kossak Lecture Hall, Room 1527, 15th floor of Hunter North Building
695 Park Ave, New York, NY
Cosmic Shelter Curator Talk Recording
“COCAINE neither toxic nor water” : Reevaluating Cocaine’s role in Hélio Oiticica and Neville D’Almeida’s Cosmococas is a presentation by Cosmic Shelter curator Daniela Mayer. Analyzing the most controversial aspect of the Cosmococas. This presentation considers cocaine as a driving force in Brazilian artist Hélio Oiticica’s personal understanding of marginality as a revolutionary position. It will further explore the levels on which cocaine operates in the Cosmococas, from translating its effects into supra-sensorial art to acting as a vehicle for countercultural protest.
WEDNESDAY, FEBRUARY 28, 6:30-8PM
Building the Cosmos of Cosmic Shelter: Curatorial Team Symposium by Thais Bignardi, Rowan Diaz-Toth, and Angelica Pomar
Kossak Lecture Hall, Room 1527, 15th floor of Hunter North Building
695 Park Ave, New York, NY
Building the Cosmos of Cosmic Shelter Curatorial Team Symposium Recording
A series of three presentations by the curatorial assistants of Cosmic Shelter, Thais Bignardi, Rowan Diaz-Toth, and Angelica Pomar. The presentations explore themes related to works presented in the exhibition in order to contextualize the world of Hélio Oiticica and Neville D’Almeida’s Cosmococas.
Presentations to include:
“Marginality as Process: The South Bronx and Hélio Oiticica” by Angelica Pomar
“A Plan for a Practice: Hélio Oiticica’s Experiments in New York at the Boundaries of Time-Based Media” by Rowan Diaz-Toth
"Gardens, Wars, Politics, and Cinema: A Discussion on Neville D’Almeida’s Jardim de Guerra" by Thais Bignardi